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When making pan pipes the length
of the tube is the main determining factor of the pipe pitch.
Although the diameter can slightly alter the pitch it is very minor
and does not effect it enough to worry about. The inside
diameter of the tubes do effect the tone however. Not so much
the pitch, or frequency at which the note vibrates, but the shading
of the note is effected by the diameter for the inside of the tube.
By shading i mean the quality that makes it possible to identify
a violin playing an "A" tone or a piano producing the same note.
Although the both tones are the same exact pitch or frequency, they
sound completely different because of the sound envelope and the
shading. |
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| The letters going across the top are the names of the notes. The numbers listed below them are the lengths of pipe, when finished, that produce the same note in a higher frequency, one octave above the fundamental (lowest note available). The next set of numbers represent the next octave, etc. In all cases the numbers are expressed in inches, to the third decimal place. |
Playing the pan flute and Harmonics
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An interesting thing to note here
about lengths of the pipes. Normal playing, the longer
the pipe the lower the tone, and the shorter the pipe, the higher
the tone. However higher tones can be coaxed out of
the pipes than the fundamental note. With a little practice
one can learn to use the correct embouchure to achieve a note from
a tube that is one full octave and a fifth higher than the fundamental
note of the tube. With this in mind a person can make a pan
pipe that is much shorter and has fewer tubes. The South
American Zampona is a good example of this. Looking
at the chart above lets see what this means in real world terms.
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